Dr CHAN Ka Ming
陳嘉銘博士

BA (HKU)
MPhil (HKU)
PhD (CUHK)

Lecturer, Department of Social Science

Tel : (852) 3963 5620
Email : kmchan@hsu.edu.hk

Dr. Chan Ka Ming graduated with his Ph.D studies in the research area of Hong Kong Cinema transnational co-production; and his expertise is in Hong Kong Cinema, film studies and popular culture, and animal and ecology humanities. Before joining the Department of Social Science (HSU), he worked as a full-time lecturer in the Department of Cultural and Religious Studies of CUHK for 5 years; he has initiated, proposed and taught courses on the study of animal and ecology, and on the study of celebrity and Hong Kong popular culture with social science and cultural studies perspective in CUHK. These are pioneer courses in the fields related to ecological humanities, and celebrity and star studies in Hong Kong tertiary education.

Research Interests

Cinema Studies; Popular Culture; Animal and Ecological Humanities; Globalization; and Urban Studies.

Selected Publications

Selected Journal Articles

  • Chan K. M. (2017). Trivisa or Amphetamine? Hong Kong – China Cinema Co-production during the First Ten Years of CEPA. Journal of Social Transformations in Chinese Societies, 13(2), 118-136. https://doi.org/10.1108/STICS-04-2017-0008
  • 陳嘉銘(2012)。〈香港電影未死──簡論香港電影專才的跨國滲透與文化互動 (Transnational-Cultural Interaction of Hong Kong Film Talents in the Overseas Context)〉 [回歸十五年:香港電影專輯 (Special Issue in the 15th Anniversary of Hong Kong Transition)]。《今天 (Today Literary Magazine)》,99。

Selected Book Chapters

  • 陳嘉銘(即將出版)。〈「創意」並非必然──以香港電影工作經驗對照創意工業論述 (Hong Kong Cinema Working Experiences and Discourse of Creative Industries)〉。載於馬傑偉及周佩霞(主編)(edited by Eric Ma Kit-wai and Carol Chow Pui-ha) ,《跨界華語電影研究專輯 (Special Issue of Transborder Chinese Cinema Studies)》。南京:南京大學出版社 (Nanjing: Nanjing University Press)。
  • 陳嘉銘(2017)。〈桃姐打擋台,狂舞派殭屍──香港電影的永劫邊緣,香港身份的驀然回首 (Hong Kong Cinema and Identity in Hong Kong-China Coproduction) 〉。載於張少強、梁啟智及陳嘉銘(主編)(edited by Cheung Siu-keung, Leung Kai-chi and Chan Ka-ming) ,《香港・社會・角力 (Hong Kong. Society. Struggle)》。香港:匯智出版社 (HK: Infolink Publishing Limited)。
  • 陳嘉銘(2014)。〈亞洲想像:香港亞洲合拍片製作文化 (Asian Imagination: Hong Kong-Asian Coproduction Cinema and Culture of Production)〉載於張少強,梁啟智及陳嘉銘(主編)(edited by Cheung Siu-keung, Leung Kai-chi and Chan Ka-ming),《香港.城市.想像 (Hong Kong. City. Imagination.)》。香港:匯智出版社 (HK: Infolink Publishing imited)。
  • 陳嘉銘(2014)。〈志明與宗師──在北上與南下之間的香港電影合拍片 (Hong Kong Cinema Coproduction in the Context of Northern and Southern China)〉載於黃慧貞、張歷君、陳澤蕾及高俊傑(主編)(edited by Angela Wong Wai-ching, Cheung Lik-kwan, Sam Chan Chak-lui and Ko Chun-kit) ,《感/觀日常:跨文化研究讀本 (Reading of Trans-Cultural Studies)》。香港:進一步 (HK: Step Forward Multimedia Publishing Limited)。
  • 陳嘉銘(2013)。〈開放與局限:中港合拍影片的過去與今天 (Openness or Limitation? – Hong Kong-China Co-production: Past and Present)〉載於張少強、梁啟智及陳嘉銘(主編) (edited by Cheung Siu-keung, Leung Kai-chi and Chan Ka-ming) ,《香港.論述.傳媒 (Hong Kong. Discourse. Media)》。香港:牛津大學出版社 (HK: Oxford University Press)。

Books and Monographs

  • 陳嘉銘(2018)。《寫在牠們滅絕之前——香港動物文化誌(Writing in the End Times – Cultural Records for Animals)》。香港:突破出版社 (Hong Kong: Breakthrough)。
  • 張少強、梁啟智及陳嘉銘(合編)(2017)。《香港・社會・角力 (Hong Kong. Society. Struggle)》。香港:匯智出版社 (HK: Infolink Publishing Limited)。
  • 張少強、梁啟智及陳嘉銘(合編)(2014)。《香港・城市・想像 (Hong Kong. City. Imagination.)》。香港:匯智出版社 (HK: Infolink Publishing Limited)。
  • 張少強、梁啟智及陳嘉銘(合編)(2013)。《香港・論述・傳媒 (Hong Kong. Discourse. Media)》。香港:牛津大學出版社 (HK: Oxford University Press)。

Other Publications

  • PhD Thesis: Transnational Hong Kong Cinema Co-production – Production Culture, Policy, Film Business, and Individual Practitioners
  • Master Thesis: Social Identity of Postcolonial Hong Kong

Selected Presentations

  • 陳嘉銘(2019年3月9-10日)。《快樂的逆襲——想像動物可親,觀照肯亞生態的「其餘現實」(Imagining Animals’ Proximity; Observing the Fact of Kenya Wilderness)》,發表於2019年文化研究第二十屆年會暨國際研討會——其餘的興起 (The Twentieth Annual International Conference of Cultural Studies Association: The Rise of the Rest; held in Taiwan National Chiao Tung University).
  • 陳嘉銘(2018年11月3日)。《孔雀開屏!「兵頭花園」的動物政治任命 (The Construction of Colonial Politics with the Uses of Animals in the Hong Kong Botanical Garden )》,發表於香港文化與社會論壇 2018 (Hong Kong Culture and Society 2018).
  • Chan K. M. (2018, May 29- Jun. 1). Another S.F.? – Spiritual Formation beyond Chthulucene from the reading of Le Quattro Volte (Michelangelo Frammartino, 2010) to Life and Death are Wearing Me Out (Mo Yan, 2006). Paper presented at the Anthropocene and Beyond: Towards a Shared Narrativity in Interdisciplinary Research, Shue Yan University, Baptist University and Chinese University of Hong Kong, Hong Kong.
  • Chan K. M. (2018, Apr. 10-12). Staying with the Trouble in ‘Advertocene’ – Advertising Representation of Animals in the Kenya National Parks and the Hong Kong Ocean Park. Paper presented at the Environmental Humanities in Asia: Ecological Crisis and Cultural Responses, Department of Cultural and Religious Studies and Centre of Cultural Studies, Chinese University of Hong Kong, Hong Kong.
  • Chan K. M. (2018, Mar. 23). Diverging the Tune of the Main Melody – Reconsidering Hong Kong-China Cinema Co-production. Paper presented at the Re-thinking Chinese Language Film History, Centre for Popular Culture in the Humanities, Faculty of Humanities. Hong Kong Education University, Hong Kong.
  • Chan K. M. (2016, Dec. 3). The Construction of Zoo and Aquarium in the (Post)colonial Hong Kong. Paper presented in the Annual Conference of the Hong Kong Sociological Association, Hong Kong.
  • Chan K. M.  (2016, Jun. 3-4). Connecting Lefebvre’s spatial practice – Reconnecting Hong Kong communities in the Umbrella Movement.  Paper presented at the “Critical Theories and Local Societies: How do philosophy, theories and concepts travel?” Conference, National Chiao Tung University. Taiwan.
  • 陳嘉銘 (2014年11月1日)。《桃姐打擋台,狂舞派殭屍──香港電影的永劫邊緣,香港身份的驀然回首 (Hong Kong Cinema and Identity in Hong Kong-China Coproduction)》,發表於香港文化與社會論壇2014 (Hong Kong Culture and Society 2014).

Awards

Emerald Publishing Best Paper Award – “Highly Commended Paper”, in June 2018, for “Trivisa or Amphetamine? Hong Kong – China Cinema Co-production during the First Ten Years of CEPA”, in the Journal of Social Transformations in Chinese Societies, Dec 2017.

Courses

  • ASI3009 Globalisation of Korean Popular Culture
  • GEN1000 Perspectives on General Education
  • GEN1015 Film and Society
  • GEN1016 Hong Kong Cinema